Vol. 4, No. 41
October is Polish American Heritage Month, first celebrated in 1981 by the Polish American Cultural Center in Philadelphia. It is an opportunity to call attention to the accomplishments of the roughly 9.5 million self-identified Polish Americans in the United States. In Orleans County, the Poles found employment in the local sandstone quarries scattered along the Erie Canal, just as countless other immigrant groups had in prior years.
I was given this photograph of an unidentified priest several years ago and through a bit of luck was able to identify him as Rev. Leonard F. Dykal of Albion. Dressed in his cassock and wearing the liturgical biretta, the three-peaked hat common of Roman Catholic clergy prior to Vatican II, Dykal appears to be relatively young. I would presume that this image, printed on a postcard, was taken around or shortly after his ordination.
Leonard Dykał was born at Albion on April 30, 1889 to Frank and Mary Lubomska Dykał.… More
Volume 4, Issue 38
The impact of Medina Sandstone extends beyond the beautiful structures that built from the durable material. Since the initial discovery of the resource during the construction of the Erie Canal and the subsequent opening of the first quarry by John Ryan in 1837, the sandstone industry was a driving force behind a diverse population in Orleans County. English, Irish, German, French, Polish, and Italian quarrymen traveled to this region in search of employment in the quarries, which provided the necessary funds to bring family and friends to the United States.
This image shows men in a local quarry who have paused to stand for a photographer. Scattered around the job site are a number of hammers and bars used for breaking and moving stone. The tools suggest that these men were responsible for dressing stone after it was extracted from the quarry. Standing at the front of the picture is a face hammer, which was used to roughly dress stones in preparation for detail work; several of these are positioned throughout the photograph.… More
Vol. 4, No. 37
Some of the best local history stories are those that are rediscovered and built upon by each historian. While organizing a collection of newspaper clippings, I stumbled upon a particular story that holds a special place in my heart. “Why the Bell Rings,” vol. XXIX no. 1 of Bethinking of Old Orleans authored by Bill Lattin recounts a story relating to St. Mary’s Assumption Church in Albion. His discovery of a newspaper clipping within a scrapbook led him to write a short piece about the Angelus Bell.
As a young boy, I can recall the frequent tolling of the bell at our parish on Brown Street. In my naiveté I thought for sure that the evening bell was a simple curfew reminder, but over the years I have developed an appreciation for the deeper meaning of the scheduled bell tolling. Even though the bells now stand silent, except for the Sunday call to service, the story is an important one centered on tradition and faith.… More
Vol. 4, No. 36
During tours of Mount Albion Cemetery, it is nearly impossible to visit a section of the cemetery that is void of at least one zinc marker. The “stones” themselves are a rather unique feature given their short-lived history, but the variety of sizes, shapes, and iconography provide visitors with a unique look into the beautiful art of cemetery monuments. This particular stone, belonging to Amos and Rosamond Whaley Grinnell, stands near the front of the cemetery on Hawthorn Path and displays a stunning urn draped in a cloth that symbolizes the veil that separates Heaven and earth.
The Monumental Bronze Company of Bridgeport, Connecticut commenced the manufacture of these memorials in 1875. In addition to the company’s headquarters, subsidiaries opened in Des Moines, Detroit, and Chicago where the final stage of the manufacturing process was completed; all casting was performed in Connecticut.
It is important to note the use of the term “bronze” to describe these unique monuments.… More
Vol. 4, No. 34
August 26th will mark the final tour of Mt. Albion Cemetery this summer, which starts at 6:00pm and will travel a path across the western end of the cemetery. Over the last several weekends, I found myself intrigued by the visual representations of social and cultural changes throughout the cemetery. The earliest sections of the cemetery are characterized by a lack of uniformity, whether one looks at the varying size of lots, the random distribution of lot numbers, or the diverse styles of monuments. As one travels into the “newer” sections of the cemetery, lots are set out in uniform size, orientation, and cemetery monuments appear more similar to one another.
While preparing for these tours, I stumbled across excerpts from a Sears, Roebuck & Company catalog for marble cemetery monuments. An individual could purchase a headstone of modest size at a cost of $7.00-$8.00, plus additional rates for lettering and shipping.… More
Vol. 4, No. 32
As tours of Mt. Albion Cemetery continue every Sunday through the month of August, I noticed a particular headstone that is frequently passed over each year. Progressing up the winding hills towards the Soldiers & Sailors Monument at the peak of the cemetery is a moderately-sized, dark greyish-blue stone that reads “Father – Benjamin L. Bessac, 1807 – 1871.” The stone is rather reserved in comparison to the larger, ostentatious obelisks and monuments that stand around it. Benjamin Lisk Bessac, the feature of this article, was one of the most notable attorneys in Orleans County who mentored the area’s premier lawyers.
Born on March 12, 1807 at New Baltimore, New York, Bessac’s mother died when he was just 12 days old leaving his father a widower with an infant child. Some reports differ as to who exactly cared for the child in infancy, some suggesting his grandparents while others suggest an aunt who lived in the vicinity.… More
Vol. 4, No. 31
On occasion I discover a photograph and set it aside for sorting, only to have it resurface several months later. The faces stare at me as if I know each person’s identity, their names, their characteristics, and personality. At times it becomes maddening when faces are recognized, and names not recalled; in reality, many photographs go unidentified.
This studio portrait taken by Francis Burnette shows a rather young Roy D. S. Bruner of Albion, NY. Inscribed on the reverse are dates, “Born March 12, 1873, Died Nov. 5, 1888.” The other markings, “Class of ’89, L. A. Achilles,” indicate that the photograph is part of a collection of images once belonging to Lillian Achilles of Albion. So, what can be said about this dapper young gentleman, with his brush-cut hair, rimless spectacles, and stand-up collar?
The brief story of Roy Bruner starts with his father, Henry A.… More
Vol. 4, No. 29
“We have met to provide a mansion for the dead. We have come out from our quiet homes and the bright sunlight and the crowded streets and all the garish show of life, to this secluded spot to set apart a last final resting place where the weary pilgrim…may come and lay down his burden forever…” – Daniel R. Cady, Esq.
Benjamin Franklin once said that there are but two certainties in life; death and taxes. For the pioneers of Albion, the question of a sacred final resting place plagued them from the earliest years of settlement. Small burial grounds existed within the village limits, but the harsh realities of life and death proved problematic for these noble citizens.
It became apparent soon after the incorporation of the village that a cemetery on East State Street would be quickly overcome with the bodies of those who succumbed to the tribulations of pioneer life.… More
Vol. 4, No. 26
Snow White and the Seven Dwarfs, released in December of 1937, is perhaps one of the most iconic animated cartoons ever produced by Walt Disney. As the first full-length animated cartoon, Snow White is one of Disney’s more recognizable characters even today. So, would you believe that this artistic masterpiece was made possible, in part, thanks to a man from Orleans County?
Henry Lyon Porter was born in 1901 in the Village of Albion to Wells H. Porter, a piano tuner, and Nellie Lyon. Porter spent his early childhood in the vicinity of West and West Bank streets and graduated from Albion High School in 1918. At the age of seven, his mother died of cancer leaving his father to care for him; Ella Jackson, the family’s housekeeper, helped raised Henry and his younger brother Allen. Porter was left-handed, and his artistic talents quickly surfaced as a young man, so it is no surprise that he was an illustrator for the Chevron and illustrated the cover for the 1920 Albion High School Yearbook; the cover shows a distressed graduate contemplating the various paths into the professional world.… More
Vol. 4, No. 24
Ninety-five years ago, the Virgil Bogue Home for Dependent Children opened its doors to young children in need of a home due to the “loss of their parents or the inability of their parents to support them.” In the years leading up to the establishment of the Bogue Home, as described within the “Bogue and Allie Families” genealogy published in 1944, children in public orphanages were often adopted out, their parents unable to learn of their whereabouts until reaching the age of 21. It was the vision of the Bogues to change that and provide care for children until conditions or circumstances changed, allowing the family to reunite.
Virgil Bogue was born on June 25, 1851 at Elba, New York to Dan Harris Bogue and Lucy Maria Turner. One of seven children born to the couple, he attended local schools in Elba and later enrolled at the Cary Collegiate Seminary in Oakfield and the LeRoy Academy until reaching adulthood.… More