Vol. 6, No. 5
Popular during the Victorian era, post-mortem photographs provided family members with an opportunity to capture a lasting likeness of their deceased loved ones. In this particular case, a young child passed before his parents could arrange a formal studio portrait. The boy is peacefully posed on a fur blanket on the front porch of the family’s home in Yuba City, California, holding a rose in his left hand with another laid beside him.
The appearance of the child may seem peculiar given his clothing and hairstyle. Breeching remained a common practice through the late 19th century. As infants, boys often wore dresses that covered their legs down to their feet which made ambling difficult. Once they began walking, these knee-length dresses allowed the child to walk while facilitating easy toilet training. After toilet training was complete, the boy went through the “breeching” process at which point he was dressed in trousers for the first time.… More
Vol. 6, No. 4
The use of Medina sandstone to craft headstones was rather limited in the nineteenth century. County Historian C. W. Lattin has speculated that the common use of the stone for curbing and paving blocks made the durable material undesirable for such a noble purpose. In Orleans County, sandstone within cemeteries is often observed in hitching posts, carriage steps, and monument foundations. However, the presence of sandstone monuments became common among immigrant quarry laborers. The stone represented the livelihood of the deceased individual. It was readily accessible, often affordable, and on other occasions, a quarry owner might gift a slab of stone for use in the case of an untimely death. This particular monument at Mt. Albion Cemetery represents a rather unusual occurrence. Five English quarrymen are buried on this lot with this large, beautiful sandstone monument erected to their memory by friends and fellow quarry laborers.… More
Vol. 5, No. 13
On March 30, 1842, Dr. Crawford W. Long of Jefferson, Georgia, became the first physician to administer diethyl ether to remove a tumor from the neck of James Venable. Four years later, Dr. William T. G. Morton would administer the same inhaled anesthesia to extract a tooth from Eben Frost of Boston, Massachusetts. For centuries, physicians have experimented with various chemicals to perfect the way in which medical procedures are conducted, but also to change the way in which diseases and symptoms are treated.
Francis Edward Stewart was born September 13, 1853, to Johnathan Severance Stewart and Ada E. Nichoson at Albion, New York. Unbeknownst to his parents when he was born in the home of his maternal grandfather and pioneer physician, Dr. Orson Nichoson, Stewart would become one of the foremost experts on pharmacology and a pioneer in the pharmaceutical industry. The family relocated to Philadelphia in 1872 when Jonathan Stewart accepted a position as superintendent of the American Dredging Company in that location.… More
Vol. 4, No. 44
This photograph, from a collection donated to the Department of History from Ruth Webster Howard, shows the rear side of the Administrative Building at the Western House of Refuge in Albion. The structure sat at the west end of the main walk and served as the residence for the superintendent, assistant superintendent, marshal, parole officer, purchasing agent, and housekeeper, and housed offices for the institution.
The Western House of Refuge opened on December 8, 1893, but did not “receive” any inmates until January of 1894. This institution represented a rather interesting period in the U.S. penal system, where women between the ages of 16 and 30 were sent for “rehabilitation.” Those guilty of crimes ranging from petit larceny to public intoxication, prostitution, or “waywardness” found themselves committed to the institution for a period of three to five years. During that time they received instruction in the domestic sciences; cooking, housekeeping, sewing, laundry, etc.… More
Vol. 4, No. 37
Some of the best local history stories are those that are rediscovered and built upon by each historian. While organizing a collection of newspaper clippings, I stumbled upon a particular story that holds a special place in my heart. “Why the Bell Rings,” vol. XXIX no. 1 of Bethinking of Old Orleans authored by Bill Lattin recounts a story relating to St. Mary’s Assumption Church in Albion. His discovery of a newspaper clipping within a scrapbook led him to write a short piece about the Angelus Bell.
As a young boy, I can recall the frequent tolling of the bell at our parish on Brown Street. In my naiveté I thought for sure that the evening bell was a simple curfew reminder, but over the years I have developed an appreciation for the deeper meaning of the scheduled bell tolling. Even though the bells now stand silent, except for the Sunday call to service, the story is an important one centered on tradition and faith.… More
Vol. 4, No. 36
During tours of Mount Albion Cemetery, it is nearly impossible to visit a section of the cemetery that is void of at least one zinc marker. The “stones” themselves are a rather unique feature given their short-lived history, but the variety of sizes, shapes, and iconography provide visitors with a unique look into the beautiful art of cemetery monuments. This particular stone, belonging to Amos and Rosamond Whaley Grinnell, stands near the front of the cemetery on Hawthorn Path and displays a stunning urn draped in a cloth that symbolizes the veil that separates Heaven and earth.
The Monumental Bronze Company of Bridgeport, Connecticut commenced the manufacture of these memorials in 1875. In addition to the company’s headquarters, subsidiaries opened in Des Moines, Detroit, and Chicago where the final stage of the manufacturing process was completed; all casting was performed in Connecticut.
It is important to note the use of the term “bronze” to describe these unique monuments.… More
Vol. 4, No. 34
August 26th will mark the final tour of Mt. Albion Cemetery this summer, which starts at 6:00pm and will travel a path across the western end of the cemetery. Over the last several weekends, I found myself intrigued by the visual representations of social and cultural changes throughout the cemetery. The earliest sections of the cemetery are characterized by a lack of uniformity, whether one looks at the varying size of lots, the random distribution of lot numbers, or the diverse styles of monuments. As one travels into the “newer” sections of the cemetery, lots are set out in uniform size, orientation, and cemetery monuments appear more similar to one another.
While preparing for these tours, I stumbled across excerpts from a Sears, Roebuck & Company catalog for marble cemetery monuments. An individual could purchase a headstone of modest size at a cost of $7.00-$8.00, plus additional rates for lettering and shipping.… More
Vol. 4, No. 29
“We have met to provide a mansion for the dead. We have come out from our quiet homes and the bright sunlight and the crowded streets and all the garish show of life, to this secluded spot to set apart a last final resting place where the weary pilgrim…may come and lay down his burden forever…” – Daniel R. Cady, Esq.
Benjamin Franklin once said that there are but two certainties in life; death and taxes. For the pioneers of Albion, the question of a sacred final resting place plagued them from the earliest years of settlement. Small burial grounds existed within the village limits, but the harsh realities of life and death proved problematic for these noble citizens.
It became apparent soon after the incorporation of the village that a cemetery on East State Street would be quickly overcome with the bodies of those who succumbed to the tribulations of pioneer life.… More
Vol. 4, No. 26
Snow White and the Seven Dwarfs, released in December of 1937, is perhaps one of the most iconic animated cartoons ever produced by Walt Disney. As the first full-length animated cartoon, Snow White is one of Disney’s more recognizable characters even today. So, would you believe that this artistic masterpiece was made possible, in part, thanks to a man from Orleans County?
Henry Lyon Porter was born in 1901 in the Village of Albion to Wells H. Porter, a piano tuner, and Nellie Lyon. Porter spent his early childhood in the vicinity of West and West Bank streets and graduated from Albion High School in 1918. At the age of seven, his mother died of cancer leaving his father to care for him; Ella Jackson, the family’s housekeeper, helped raised Henry and his younger brother Allen. Porter was left-handed, and his artistic talents quickly surfaced as a young man, so it is no surprise that he was an illustrator for the Chevron and illustrated the cover for the 1920 Albion High School Yearbook; the cover shows a distressed graduate contemplating the various paths into the professional world.… More
Volume 4, Issue 21
Passing through the sandstone arch of Mount Albion Cemetery, one may catch a glimpse of the towering monument atop the highest point in the area. The Soldiers & Sailors Monument is perhaps the most impressive and beautiful war memorials in our area, but the true significance of the shrine is often overshadowed by the novelty and “thrill of the climb” up the winding steel staircase. There is a commonality between the circumstances surrounding the efforts to erect this monument to the memory of over 450 men who lost their lives during the Civil War and the war itself. In the face of grave sacrifice, a community struggled to memorialize the hundreds of young men, sons, brothers, and fathers, who left the security of home for ideals far greater than themselves.
Efforts to construct a county-wide memorial were initiated in 1864, but the association struggled to raise the necessary funds to complete the project.… More